Gate – Republic of Sadness (Ba Da Bing) 2010


From the outset I should tell you that Gate is the side project of one Michael Morley who you may know from his other band, The Dead C. This is being released in a week or so on vinyl by the always excellent Ba Da Bing records. I managed to snag a review copy a couple of weeks ago and well let me put it this way; what would you expect from a record by a bloke from the Dead C. Some avant garde, lo fi, rock experimentation perhaps? Well so did I. This is the first time I’ve heard a Gate record and what I wasn’t fucking expecting is an album of downbeat, popish electronica. The first time I played this I was walking around my neighbourhood late at night. When the music  started, it took me by surprise so much that I checked my ipod to see that I hadn’t inadvertently started some Hot Chip record or something. Seriously. There are some genuinely funky beats in here especially on the third track Desert which had some major f.u.n.k. going on and the final track Trees which sounds like that overtly sentimental, continental techno so beloved by Germans. But you know its Michael Morley because that voice weaves in and out of the tracks like a confused dementia patient on codeine and jam. The lyrics, when I was able to pick them out, bring a melancholic edge to the whole thing. It’s hard to shake you ass when Morley sings about being unable to stop war and something about corruption.

So how am I really supposed to take this? Is it some post modern examination of the shallowness of body music or is it a record by a genuine fan of pop and beat looking for an outlet? In the end I don’t think it matters because I enjoyed this so much I’m worried by noise cred might be at an end. Republic of Sadness is all loops, pop, beats, a smattering of drone and that voice. It’s the most depressing time you’ll ever have shaking your ass.

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