Today I’ve noticed that the Dead C fans are hitting this blog more than they have for some time. I look back on the posts I’ve done on that band and I think many of them really don’t do the band justice but hey this isn’t really a review blog, it’s more a “holy crap you need to hear this” type of thing. So in that vein I introduce you to the mighty Derek Rogers an avant garde musician from that hot bed of conservatism Austin, Texas. Derek has an excellent myspace page that you should check out and while you’re there throw him a couple of bucks for Color Shield because it, quite simply, is on my favourite records I’m playing right now. Although the music of the Dead C might be difficult to explain to someone who hasn’t heard it, once you do you know instantly what a unique and defining racket they make. Derek certainly hearlds the Dead C as an influence which is awesome to hear because the only other band that gives me that Dead C vibe is late period Mouthus. But Derek also manages to squeeze a bit of a Vibracathedral Orchestra vibe into Color Shield’s amalgam of drones, lo-fi antipodean punk, noise and kitchen sink-improv clatter. My listening preferences seem to have solidified on drone and Merzbow in recent months and Derek’s work has slapped me back into getting those Dead C records back out for another play. If I was writing for the Wire I might try to make parallels between the social conservatism of Austin and Dunedin but it’s late and frankly I’m drunk. If you’re lucky enough to live in California, Derek is touring and you’d be silly to miss it.