Archive for Dead C

Bruce Russell and Roy Montgomery – Split (Grapefruit Records) 2012

Posted in Bruce Russell, Music, New Zealand Bands, noise, Roy Montgomery, The Dead C with tags , , , , on April 28, 2012 by noisenoisenoise

This vinyl release is coming out on Grapefruit Records. a subscription style label in the vein of Three Lobed. On this release we find two of the towering giants of the New Zealand underground. The Pin Group’s Roy Montgomery and the Dead C’s Bruce Russell. My love of the New Zealand  avant garde music scene should be of no real surprise to regular readers but I had very different reactions to the two tracks on this album.

Lets deal with the track that confused me. Bruce Russell’s track is titled Mistah Chilton, He Dead. I’ve listened to it a stack of times. In the car on the way to the tip, through headphones on a long walk and at the supermarket and a few times after my kids have gone to sleep and the house is quiet.  There is no doubt that it is a tricky track to write about let alone come to terms with. There is a squealing, frantic quality to the sound that during its earlier stages reminded me a little of some of John Zorn’s more brutal outings. It sure as shit ain’t the Dead C. It has a bit of the lo-fi about it, it’s not exactly drone but it is not noise as many of us understand it. It has its charms (especially the last seven minutes) but I didn’t a great deal of pleasure from it. And goddamn it, if there is no pleasure in noise then what is the fucking point. I felt the same way about Russell’s work in A Handful of Dust. I just didn’t get it. I am obviously the wrong audience.

The flip side by Roy Montgomery is a very different sound altogether. This is pure chiming guitar drone pleasure. Emotional melodies float over the top to create quasi folk-like psychedelia. It is absolutely gorgeous – an avant garde take on emotion and bliss. Pure pleasure.

I am keen to read other reviews of Bruce Russell’s track. I may be missing something. I’m just not sure what it is.

Gate – Republic of Sadness (Ba Da Bing) 2010

Posted in Drone, Gate, Music, The Dead C with tags , , , , , on July 20, 2010 by noisenoisenoise

From the outset I should tell you that Gate is the side project of one Michael Morley who you may know from his other band, The Dead C. This is being released in a week or so on vinyl by the always excellent Ba Da Bing records. I managed to snag a review copy a couple of weeks ago and well let me put it this way; what would you expect from a record by a bloke from the Dead C. Some avant garde, lo fi, rock experimentation perhaps? Well so did I. This is the first time I’ve heard a Gate record and what I wasn’t fucking expecting is an album of downbeat, popish electronica. The first time I played this I was walking around my neighbourhood late at night. When the music  started, it took me by surprise so much that I checked my ipod to see that I hadn’t inadvertently started some Hot Chip record or something. Seriously. There are some genuinely funky beats in here especially on the third track Desert which had some major f.u.n.k. going on and the final track Trees which sounds like that overtly sentimental, continental techno so beloved by Germans. But you know its Michael Morley because that voice weaves in and out of the tracks like a confused dementia patient on codeine and jam. The lyrics, when I was able to pick them out, bring a melancholic edge to the whole thing. It’s hard to shake you ass when Morley sings about being unable to stop war and something about corruption.

So how am I really supposed to take this? Is it some post modern examination of the shallowness of body music or is it a record by a genuine fan of pop and beat looking for an outlet? In the end I don’t think it matters because I enjoyed this so much I’m worried by noise cred might be at an end. Republic of Sadness is all loops, pop, beats, a smattering of drone and that voice. It’s the most depressing time you’ll ever have shaking your ass.

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