Now here is a band that should be much more well known than they are. Towards the end of last year they released their new record The Grain and when I found out, well – let’s just say that I was pretty excited. You see Slomo have released two of my favourite records – 2005’s The Creep and The Bog which came out on Important in 2008. Since then though, nothing, absolutely fuck all until now of course. But first I think The Bog is worth bringing to people’s attention. I reckon it may be one of the strangest things that Important ever released. Slomo are a duo from England who specialise in a slow moving, doom/ambient/creepy vibe – think what it would sound like if Mike Connelly asked Steven O’Malley to help out on a Failing Lights record. The band describe their sound as highly ritualised glumbient. I love the term glumbient but it may not quite encapsulate how sinister the music can be. The album itself is a one hour long meditation in blackened dreamscapes and the threat of the unseen. I don’t listen to that much doom or black metal anymore but The Bog has been something I have gone back to again and again. If you stumble over a copy on your travels it might just be worth picking up.
Archive for Doom
Slomo – The Bog (Important) 2008
Posted in Doom, Drone, Music, Slomo with tags Doom, Drone, Music, Slomo on April 7, 2013 by noisenoisenoiseNadja – Touched (Alien 8 Records) 2007
Posted in Doom, Drone with tags Doom, Drone, Music, Nadja on July 25, 2010 by noisenoisenoiseNadja are a duo of Aiden Baker and Leah Buckereff. This version of Touched is a re-recording of their debut CD with an untitled track as an added extra. I haven’t really dabbled with Nadja too much because, well have a look at their Discogs page, they’re more prolific than Merzbow. Nadja’s is a sound I return to from time to time – a compelling intersection of doom metal, post rock, drone and dark ambience. It’s like Sunn O))) and Mogwai jammed over some heroin and decided to record the output. This is a big sound, which is unsurprising given that it was mastered by Khanates James Plotkin. When I play it I really enjoy it and doom is really the only metal I can listen to without laughing. If you love that sound then this is a great example of it.
Sunn O))) – Monoliths and Dimensions (Southern Lord) 2009
Posted in Doom, Sunn with tags Doom, Music, Sunn O))) on June 5, 2009 by noisenoisenoiseI’ve been hanging out for this for some time because nothing says happiness like a slab of doom laden black metal. This is their first proper album in yonks, since I think Black One if I’m not mistaken (I don’t think you can count Oracle because that was tracks developed for an art piece rather than an album proper). I was actually going into my local record store to buy Isis’s Oceanic and fuck me if this wasn’t sitting in the rack below. It made my week and after a couple of spins its time to post on it.
You know its Sunn O))) so it’s bound to be good but I wasn’t expecting this. There are four tracks in all. The first and third are your typical Sunn O))) power riffs and the first one had Atilla talking about some underground city or such nonsense in his best creepy voice. They haven’t been this much fun since My Wall on White 1. Fun but sinister of you know what I mean. Maybe it is a bit vaudeville for many tastes but I’m a sucker for this type of thing so bring it on I say. The second track is called Big Church and it features a choir, a fucking CHOIR I tell you. More Gorecki Misere than Mormon Tabernacle if you are worried that the sound of a choir is completely lame. Totally different to anything they’ve done before I reckon but the final expectation destroying clusterfuck happens on the final track. It starts off as a typical doom track and then fuck me! a fucking trumpet wails and suddenly your listening to jazz. I thought my ipod had fucked up but seriously the most divine jazz track I’ve heard in some time (which isn’t that profound because the only jazz I listen to is The Necks) leaks our of my headphones. To say that Sunn O))) don’t do the same thing twice might be the fucking understatement of the year. If you’re looking for the windswept-tundra-in-hell vibe of Black One you are certainly not going to find it here. Sunn O))) let the light in and it’s a cracking good listen.